This is a discussion on LAX needs to turn before it is too late... within the TNA Discussion forums, part of the Wrestling Forums category; LAX are passable as face, but lack the fire that they need as face. They were the hottest item arguably ...
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LAX are passable as face, but lack the fire that they need as face. They were the hottest item arguably in all of wrestling short after formation as a heel group. They need that back and they need to live up to what is expected of LAX.. not someone who goes thug to those who come to them, but those who take thug to the people... the angry minority with the chip on their shoulders.
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I don't watch TNA that often (though I'm starting too) and I have to agree. I like 'Cide and Hernandez, but as faces they are very generic. Back when they were fueding with Daniels and AJ they were the hottest team in the world and two of the best heels around.
I feel alot of it is to do with the release of Konnan. Konnan is a superb mic worker who can cut great, intense promos whereas both 'Cide and Hern are both pretty average, so they no longer have the bite or the ability to rile the crowd up like they did back when Konnan was calling the shots.
Also, get rid of Salinas, my God is she is fucking terrible. And bring back Moody Jack :/
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This is down to something TNA do & WWE dont do enough of. Crowd reaction determins who is face & who is heel.
Angle was face but not getting a face reaction so he turned heel & is getting great heel reaction now. Styles was heel but getting cheered so he turned face. Same as L.A.X. heel's getting cheered = face turn.
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Crowd reactions can determine face/heel turns at time I don't really think its a great idea going on a face or heel turn for the sole reason of the way the crowd take to you. Because you could just be the flavour of the month then you turn face and the fans start to not give a crap like what has gone on with LAX, the best tag team in wrestling today and they really don't seem to have the excitement in feuds and matches they are in as they did before.
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